Father,
curious about what these American's are doing here, asks, "How long do
you spend in Mulegé?" Husband Carlisle says, "Most of el winter. Then
go up to visit our kids for a few weeks, then Returno!" Mr. Carlisle was
talking crazy talk, ignoring our laughs and pondering Baja. The subject
of Mrs. Carlisle brought up Salvador, who led us into Canon La Trinidad.
Guides can be a pain, but there are cases where it is illegal to operate
without one, and with good reason. Canon La Trinidad hosts Northern Mexico's
most famous cave painting, and a good number of Cochimi petroglyphs. Like
Mexico's northern neighbor, Indian graffiti is kept well-protected from
spray-paint and vandalism.
Salvador, the first in Mulegé to lead people into La Trinidad, learned
Indian medicine from his grandmother. He stopped his truck in the desert
flats between Mulegé and the mountains, explaining the mostly lost medicine
of his heritage. "This one," he says, running his fingers through the
creosote, "is used as deodorant. Put it in your boots so they don't smell."
We walked past a fifty-foot cardon cactus. "The pulpa is an antibiotic,
but this one," he says, finding a candelia, "is a great laxative. They
use this one at the Rancheros for party jokes."
Most
years the canyon is a struggle, because much of it requires swimming,
but the broken dams and the drought made walking between the steep red
cliffs a casual affair.
The
stones at the canyon's exit seemed intentionally placed, and father asked
about a petroglyth, "what was it for?" "This was a marking to other Indians.
These people were semi-nomadic. These markings told the other people what
was in the canyon, if it was a good place to be, if they were welcome
there." We passed a diamond cholla, which hosts the longest spines of
any of the painful cholla. "The roadrunner uses this one to trap snakes.
When they are sleeping, he makes a cage around the snake, and then he
can kill him because the snake will not leave."
At
the site of the Trinidad deer, Salvador explained the history of the Cochimi,
the role of Cortez and the missionaries, and how the Indians 'disappeared.'
"Did the Indians make tequila?" I asked. "No, that was the Spanish." The
Tiquila tribe is attributed as the inventors of mescal, the rough-hewn
ancestor of tequila. It was Jose Cuervo who refined the process into tequila
- a specification of region and agave type.
He
said, "The Indians had their own thing. They had the mushrooms and the
peyote."
Later, when Hans asked about the geometric shapes of the fish,
the whales and the painting that looked like an anteater, Salvador said,
"Nobody knows. Maybe it was they were crazy on peyote or mushrooms. " This
one," he said, pointing to a drawing of an odd-looking man waving his
hands in the air, "is cardon-man. We don't know but we think they had
a myth about the cactus coming alive at night. "Mexican boogie-man," Brother
Hans said.
We
drew in on a narrow, sandy closure in the canyon. I heard that sound I
knew from movies, "pi-tah-pi-tah-pi-tah."
"Rattlesnake," I said.
"Rattlesnake!"
Father and Salvador closed in.
"You want me to catch him?" Salvador said.
"No," I said, thinking this is why I don't like guides, because they think
they have to act like a guide.
He picked a stick off the ground and jutted
it in from the snake. It fanged the stick, and Salvador lifted it off
the ground, letting it wrap around the stick. "Now you can really see
this snake," he said, passing the hissing serpent around our faces. 'Probably
tastes like chicken,' Vance would have said. Or turkey.
This
turkey dinner wasn't the first time we spent surrounded by Americans.
When we arrived in the town of Mulegé several days before, we opted for
a cantina which was hosting a fund-raising event for Mision Santa Rosalia
de Mulegé, the local Mission and cultural center of town, which was in
obvious disrepair. The restaurant owner had said, "Tonight is special
night for the patrons of Mulegé. You can join them with a special Mexican
meal, or have our normal menu." We opted to eat with the patrons.