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A Museum for Kabul
Afghanistan's National Museum after the War
Text, and web design by Erik Gauger, photographs courtesy Mustamandy Family

Courtesy of Huvishka Mustamandy

Afghanistan
 
Clay Pottery
 

 

 
 
Afghanistan Map  
Archaeology
 

The case divides the art world between dealers and Archaeologists. With respect to Afghanistan, the dealers purport that in fact without the illicit trade, the remaining artifacts of Afghanistan would have stayed in the country, and would surely have been destroyed by the Taliban in 2001. The United Nations (UNESCO) backed the archaeological point of view, which is that looting and illicit trade do more to disperse a culture's heritage, than to save it, and that the unique situation of Afghanistan only means that the world needed to do more to protect the works. UNESCO, however, backed away from this view for the special case of Afganistan, a policy they now regret.

Paris

I spoke with the UNESCO specialists on Afghanistan, including the legal counsel, the artifacts specialist and the director of Afghan affairs. "I understand that UNESCO is involved in the arbiting of looted works out of Afghanistan?"

The counsel explained that they weren't aware of any such activity, and that UNESCO's role was limited to accepting donor artifacts to the temporary storehouse in Switzerland. I inquired further, but it was all dead trails. UNESCO seemed unfocused, despite their very public voicing of attempting to further the cause. Was it public relations? UNESCO's role in cultural arbitration was well known. Why did they turn the other way when it came to Afghanistan?

I wanted to find out what the traffickers in illicit art dealing thought of the Afghanistan issue. Since the illicit trafficking of antiquities goes on under highly secretive black markets, I required the help of fictional Isabella Delasantos, a kind of anti-Thomas Alcock, who immediately began to network through a maze of dealers worldwide. Her first luck was in London, England, where she inquired into a rare Afghan Gandharan statuehead.

"At the moment," the dealer said, "I do not have any Gandharan pieces, but I work with a colleague who has two wonderful pieces. I will ask him if they are still available, and put you in touch with him if they are. I believe one piece is quite impressive. Are you 'size and price' limited...who isn't, but I think you know what I mean!"

 
 

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Text, photographs, illustrations and web design ©2008 Erik Gauger


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