St. Lucia Moleskine Journal Notes

Field sketches from Soufrière, St. Lucia, drawn in my Moleskine journal.

I kept this Moleskine on a trip Jane and I took to St. Lucia, near the southern end of the Lesser Antilles. Most of it was drawn around Soufrière, the old French town on the island’s southwest coast, in the shadow of the Pitons. We drove a jeep with a local guide up into the rainforest reserves of the interior, stopped at sugar mills and plantation gardens, and spent the evenings with the journal and a glass of rum.

It is less a diary than a naturalist’s notebook. The pages fill up with the island’s parrots and orioles, its mangroves and fruit trees, a timeline of its history and a list of everything we ate. Many of these notes grew into my long essay on St. Lucia and the botanical history of the Antilles. You can also see my finished, hand-painted map of St. Lucia.

St. Lucia sketchbook spread with a watercolor map of the Lesser Antilles and the Caribbean Sea.

The journal opens with a map of the Lesser Antilles, the arc of islands from the Virgin Islands down to Trinidad and Tobago, with St. Lucia among the Windward Islands.

An Island That Changed Hands

St. Lucia changed hands between Britain and France more than a dozen times, which is why the towns have French names, the civil law still has French roots, the official language is English, and most people speak a French-based Kwéyòl at home. I filled several pages with that history before I ever drew a bird.

St. Lucia sketchbook spread with a handwritten timeline of the island's history and a soursop fruit.

A timeline of St. Lucia, from the Arawaks and Caribs to the first failed English colonies of the 1600s and the long fight between France and Britain, with a soursop and a start on the island’s cuisine.

St. Lucia sketchbook spread with notes on the island's history, culture and places, including Marigot Bay and Soufrière.

Notes on the island’s two Nobel laureates, the crops that shaped it and the towns along the west coast: Castries, Marigot Bay, Anse-la-Raye, Canaries, Choiseul and Soufrière.

St. Lucia sketchbook spread with a handwritten list of places to see, including plantations, a sugar mill and the rainforest.

A list of places to see: Gros Islet, the Errard and Marquis estates, La Sikwé sugar mill, Mount Gimie, Diamond Falls, the national rainforest and the Mankote mangrove.

Soufrière and the Pitons

Soufrière was founded by the French in 1746 and named for the sulphur vents in the collapsed volcano above town. Its harbor is still full of painted fishing boats, and the two Pitons, Gros Piton and Petit Piton, rise straight out of the sea to the south, one of the most recognizable views in the Caribbean and now a UNESCO World Heritage Site.

St. Lucia sketchbook spread of the green Pitons rising above a blue bay in watercolor.

The Pitons from the water, the two volcanic spires that tower over Soufrière.

Watercolor sketchbook spread of a street in Soufrière, St. Lucia, with wooden balconies and shopfronts.

A street in Soufrière, with its wooden balconies and shops.

Watercolor sketchbook spread of fishing boats pulled up on the sand under palms in St. Lucia.

Fishing boats pulled up under the palms.

St. Lucia sketchbook spread with a street map of Soufrière, a shiny cowbird and a yellow-crowned night heron.

A street map of Soufrière and the Soufrière Estate, with a white-breasted thrasher, a shiny cowbird and a yellow-crowned night heron.

St. Lucia sketchbook spread with notes on the southwest coast, a sandpiper, a St. Lucia tree lizard and a pygmy gecko.

Notes on the southwest coast, from the Qualibou volcano and Diamond Botanical Gardens to Jalousie, with orchids, a St. Lucia tree lizard, a pygmy gecko and a spotted sandpiper.

Ink and watercolor sketch of palms, St. Lucia

Carib stonework, and palms at Marigot Bay, with notes from lunch at a beach shack and a walk through Castries.

Parrots, Orioles and the Rainforest

The rainforest reserves of the interior hold the island’s rarest animals. The St. Lucia parrot, or Jacquot, is the national bird, and by the 1970s only around a hundred were left in the wild. Protection of the forest brought it back, and it has become one of the Caribbean’s conservation success stories. The island also has its own oriole, pewee, warbler, wren and black finch, and its own fer-de-lance, a dangerous pit viper found nowhere else.

St. Lucia sketchbook spread with the St. Lucia parrot (Amazona versicolor), a red-necked parrot, a tree fern and a mountain cabbage palm.

The St. Lucia parrot, Amazona versicolor, and a close study of its head, with a tree fern and mountain cabbage palm from the rainforest.

St. Lucia sketchbook spread with two Amazona parrots from neighboring islands in watercolor.

Two of its cousins on neighboring islands, the St. Vincent parrot and the imperial parrot, or Sisserou, of Dominica.

St. Lucia sketchbook spread with a St. Lucia oriole, a purple-throated carib, a fer-de-lance and a boa constrictor.

The St. Lucia oriole, a purple-throated carib hummingbird, the fer-de-lance and a boa constrictor.

St. Lucia sketchbook spread with the St. Lucia pewee, wren and oriole, a leatherback turtle and a yellow tube sponge.

The St. Lucia pewee, wren and oriole, a leatherback turtle, a doctorbird and a yellow tube sponge, with a note on nutmeg from Grenada.

St. Lucia sketchbook spread with a wild almond, a bananaquit, a roseate tern, a scrawled filefish and other species.

A page from the cloud forest and the shore: a wild almond, a bananaquit, a Lesser Antillean bullfinch, a roseate tern, a brown noddy, a peacock flounder and a scrawled filefish.

St. Lucia sketchbook spread with handwritten notes on Caribbean history and a red-necked pigeon.

Journal notes on who gets to write the history of the Caribbean, with a red-necked pigeon and a cashew leaf.

St. Lucia sketchbook spread with an agouti, an orchid, a warbler and handwritten notes.

An agouti, an orchid, a warbler and notes from the road, including the story of the man who lives alone at the top of Mount Gimie.

Watercolor sketchbook spread of the St. Lucia rainforest drawn from the trail.

The rainforest, drawn from the trail.

A Botanical Notebook

Almost everything that grows along St. Lucia’s roads came from somewhere else: sugarcane from Asia, bananas from Southeast Asia, breadfruit from Tahiti, mangoes from India, the traveler’s tree from Madagascar. Following those plants back to where they came from turned into the history of the whole Caribbean, and these pages are where that idea started.

St. Lucia sketchbook spread with a red heliconia (lobster claw) and handwritten notes.

Heliconia, or lobster claw, with notes on the ginger order and the hummingbirds that pollinate it.

St. Lucia sketchbook spread with notes on bananas and plantains, and sketches of barrel and prickly pear cacti.

Notes on bananas and plantains, with barrel and prickly pear cacti, orchids and bromeliads, the gommier tree and the chatagnier.

A watercolor sketch from a St. Lucia journal

Red ginger lily, the mongoose brought in to kill snakes and rats, balsa, aloe and notes on the banana industry of the Windward Islands.

St. Lucia sketchbook spread with white, black and red mangroves and a swamp bloodwood with buttress roots.

The island’s mangroves: red, white and black mangroves, buttonwood and the swamp bloodwood, with notes on how each survives in salt water.

Ink and watercolor sketch of dasheen (taro) plants, St. Lucia

The mangrove fern, an anole, sugarcane, dasheen and the traveler’s tree of Madagascar.

St. Lucia sketchbook spread with a strangler fig and a mountain cabbage palm, with notes on rum.

A strangler fig and mountain cabbage palm, with notes on rum, from its first distilling in the 1600s to the Royal Navy ration.

St. Lucia sketchbook spread with a coconut palm, beach morning glory, bay bean and upside-down jellyfish, with notes.

The coconut, the most useful tree in the islands, with beach morning glory, bay bean and an upside-down jellyfish.

St. Lucia sketchbook spread with seagrape, manchineel, Indian almond and white cedar, and a blue-striped fish.

Seagrape, manchineel, Indian almond and white cedar, with a blue-striped fish.

St. Lucia sketchbook spread with casuarina, Madagascar periwinkle, a brown booby and a century plant.

Casuarina, Madagascar periwinkle, a brown booby, a century plant and jackfruit.

St. Lucia sketchbook spread with a mangrove tree crab, a land crab, a sea egg, a black urchin and a gumbo-limbo.

A mangrove tree crab, a land crab, a West Indian sea egg, a long-spined black urchin and a gumbo limbo branch.

St. Lucia sketchbook spread with acacia, breadfruit, mango and West Indian mahogany, and a sailing ship.

Acacia, breadfruit, mango and West Indian mahogany, with the ship that brought breadfruit from Tahiti.

St. Lucia sketchbook spread with a piping frog, a green heron and orchids.

A piping frog, a green heron and orchids, drawn after a thunderstorm over the Pitons.

The Sea and the Table

The last pages turn to the water around the island and to what we ate: saltfish and green fig, the national dish, along with accra, bouyon, breadfruit, callaloo and a long list of fruits I had never tasted before.

Watercolor sketchbook spread of the ocean off St. Lucia in cross-section, with depth zones labeled.

The ocean off St. Lucia in cross-section, from the continental shelf down to the abyssal depths.

St. Lucia sketchbook spread with a handwritten checklist of St. Lucian foods.

A checklist of St. Lucian food, from accra and bouyon to saltfish and green fig, sweetsop and tamarind juice.

Watercolor map of St. Lucia from a sketchbook.

The journal closes with a map of St. Lucia, from Gros Islet in the north to Vieux Fort in the south.

The Newsletter

Quick lines from a green island.

Field sketches and notes from the road, free by email.